The Jewess: as represented by artists

from ancient times to modern, from archetypal subversive-destructive pre-Biblical and Biblical Jewesses (Jael, Lilith, Esther, Judith, Salomé, etc.) to equally subversive-destructive contemporary Red, Zionist, and “feminist” Jewesses, the seductive female Jew has been a subject of artistic contemplation. As the following examples indicate, artistic appreciations of the Jewess often highlight various physical, psychological, and moral aspects of the distaff Tribal even more effectively than mechanical photographs:

_______________________________________________________

 

_____________________________________________________________

 

_______________________________________________________

 

yes, it sure did. The Jewess Shaked, one may recall, is she who while still a member of the Zionist Reichstag Knesset and during the 2014 Gaza Massacre made positively genocidal remarks about Palestine’s Arab population. Tell ‘ya what, Jewess: that knife can cut two ways. BTW, not a bad representation of the Shaked; she may eventually be honored with a page here.

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

 

 

_______________________________________________________

artist re-take on “Muriel Goldman”, a kosher character in the “Family Guy” TV cartoon. Can’t speak to the accuracy – I turned off the Jewbox and cut the cable many years ago – but this one certainly captures the Jewishness.

______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

same inquisitional theme, utilizing a 1950’s big-breasted bondage Jewess as model.

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

hey..hey…HEY!! what #MeToo stuff is going on here??! and in 1667?! WTF is with these Jews???

 

______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

Here’s another rendition of this same mediaevel reality, with more emphasis on the role of female Jews in the atrocity:

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

depiction of one Theresienstadt Ghetto inmate by another. Contradicting partly-false images of this and other Jewish ghettos and camps in WWII Europe, this obviously healthy, well-fed Jewess is seen out for a stroll in her spring dress, carrying a bouquet of flowers. In fact Theresienstadt was a “priviliged” ghetto for wealthy and other “connected” German, Austrian, and Czech Jews…most of whom, indeed, were eventually re-deported to Auschwitz or went to the execution pits at Minsk. But this less due to “the Nazis” than to that Ghetto’s intensely Zionist, viciously collaborationist Judenrate. Cf. Livia Rothkirchen, “Zionist Character of the ‘Self-Government’ of Theresienstadt….”, YAD VASHEM STUDIES XI (1976), pp. 56-90, and H.G. Adler, Theresienstadt (London, 2017).

_______________________________________________________

 

_______________________________________________________

 

_____________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________

 

_______________________________________________________